This is quite a small jar and stands with it’s lid at 25 cm in the raw, so it is going to be even smaller when finished. Cream slip over the dark red clay for the background and coloured decorating slips with all the plants cut in to reveal the dark clay body. This is so far from lump of clay beginning just 23 hours, I guess another 5 hours to finish the decoration and glaze. I have used a lot of colours, everything from yellow to green and gray, but no blue at all. It is drying out far too much so I have to finish tomorrow but here it is at this stage.
Another beauty from your studio, how wonderful and again time consuming, but you must love it. Reading your blog I will have to start learning centimeters and celsius, soon you will have me ambidextrous.
Thanks for the explanation of the copper slip from the previous post. I now think I recall a previous post where you had one of your gray colors on another ray - strange how it is blue and turns gray after firing.
I wish I didn't have such a large garden to take care of here I could make so much more in clay, hopefully we will sell one of these days soon and then I will have more time for clay than gardens, can't wait.
In the end I make pots. I live some of the time in a rural village just 28k south of the city of Granada where my studio is and if you read this blog you will soon discover that I spend a great deal of time in England too, where my work sells.
I am obsessed by my medium; I work along personal lines of creativity where it is usually the mistakes which turn out to be the best pieces. I am exceptionally slow at thinking and I am prone to be influenced by everything and everyone around me.I don’t own any of my own work except “My Little Pony”; a vase that didn’t sell in 2007 {archive pot no 1 below} and which later became too difficult to part with.
“Goodbye” said the fox. “Now here is my secret. It is very simple. It is only with one’s heart that one can see clearly. What is essential is invisible to the eye.”
Antoine de Saint-Exupéry — The Little Prince
The Man who wrote it
Antoine de Saint-Exupery
Archive Pot No.1
2010 Scraffito Bird
Archive Pot No.3
Cycle Lanes 2005 Sold
Archive Pot No.4
Dyson Bliss 2008 Public Collection Plymouth City Museum and Art Gallery UK
2 comments:
Another beauty from your studio, how wonderful and again time consuming, but you must love it. Reading your blog I will have to start learning centimeters and celsius, soon you will have me ambidextrous.
Thanks for the explanation of the copper slip from the previous post. I now think I recall a previous post where you had one of your gray colors on another ray - strange how it is blue and turns gray after firing.
I wish I didn't have such a large garden to take care of here I could make so much more in clay, hopefully we will sell one of these days soon and then I will have more time for clay than gardens, can't wait.
Looking forward to your next firing.
Fantastic imagery! Cant wait to see it finished!
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